Showing posts with label music review. Show all posts
Showing posts with label music review. Show all posts

Bachna ae Haseeno: music review

Bollywood didn't see much good happening during the first half of this year. But the second half seems to be bringing a lot many promising things right from the first Saturday of July. After Jaane Tu Ya Jaane Na, Kismat Konnection and Singh is Kinng, it's Siddharth Anand's Bachna Ae Haseeno starring Ranbir Kapoor, Deepika Padukone, Bipasha Basu and Minissha Lamba from which bollywood is expecting a lot.



Interestingly, there is a lot of variety in the music of these movies too. Where Jaane Tu Ya Jaane Na primarily had romantic music with an AR Rehman touch, Kismat Konnection has mostly dance numbers in hip-hop style. Singh is Kinng has a lot of Punjabi flavor attached to it, and now Vishal Shekhar has brought Bachna ae Haseeno that has a number of flavors in it.

The album has 7 songs, one of them being Bachna ae Hasino from Hum Kisi Se Kam Nahin, the Rishi Kapoor flick. Except that there are 5 songs and one remix.

The album starts with a romantic number Khuda Jaane that has started showing on TV channels already. The song starts off on slow notes with KK and Shilpa Rao both taking turns until KK picks up a beautiful higher note with Khuda Jaane ke.. The song is a bit too slow but KK keeps the momentum and the song gives a good feel. The lyrics are good too but Shilpa Rao's voice doesn't fit very well with Deepika Padukone.

The second song 'lucky boy' starts with voice of Raja Hasan giving a desi feeling to the song. But then with Sunidhi Chauhan coming in, the entire feel of the song changes into a slow dance number with beats that suit high volume. The song goes on pretty regularly with Raja Hassan coming in at times and with not many surprises.

'Ahista Ahista', the third song starts with a music that make you expect a good song, somewhat of the sort that Pritam is making in plenty. After almost a minute, Shreya starts singing a not-so-typical-of-her song which, although it doesn't go very high, is not of the type of songs we generally hear her sing. Lucky Ali certainly gives the song his flavor and his alaaps of o..o.. in the duet may remind you of Khuda Hafiz from Yuva.

The fourth song 'Jogi mahi' gives you a surprise with its first line itself when you listen to Shekhar singing the beautiful lines 'Suno ik thi Kaanch ki Gudiya, Suno ik thi pyaar ki pudiya' and then really sings a significant portion of a song probably for the first time. Later Sukhwinder Singh sings along but Shekhar doesn't leave the song unlike his earlier songs and his presence is felt through the song. Voice of Himani Kapoor, who is found towards the end of the song, is good too. Shekhar and Sukhwinder singing together give the song a good end.

If Shekhar Ravjiani singing was a surprise, get ready for a bigger one this time. Shankar Mahadevan, who is a full time composer now, sings to the tunes of Vishal and Shekhar for the next song 'small town girl', and the song is a small pretty woman and also has lyrics in Hindi, English and some Punjabi too. The song has the potential to make people dance to it but will take some time. Hope Ranbir gives a good show of dance in the video, which can make the song a chartbuster.

The originals end here and the sixth and seventh songs of the album are a remix and a mix respectively. Number six is a remix of Khuda Jaane which goes pretty fast compared to the original version. Vishal Shekhar have performed a few good experiments on the song too and the results are good too.

The final song of the album is 'Bachna ae Haseeno' of Hum Kisise Kam Nahin in a version mixed by Vishal Shekhar, resulting in a song that bears the credits 'Kishore Kumar, Sumit Kumar, and Vishal Dadlani', something like Deepika Padukone dancing with Sunil Dutt in Om Shanti Om. This is important to say here that the song has been mixed well and the beauty of old voice remains as in original song. Sumit Kumar has filled in for his father's voice well in places.

To summarize, Bachna ae Haseeno has a good soundtrack which will be getting pace slowly, as opposed to those of Pritam that are getting instant success. Keep listening to the songs on TV and other media and by the release you'll be humming them. That's Vishal-Shekhar for you.

(Download Bachna ae Haseeno mp3 songs)
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Singh is Kinng: Music Review

In one word, Singh is Kinng rocks. But there is a lot more that needs to be said about the rocking music, so read on.


Singh is Kinng is surely one of the most awaited movies of the year and the same can be said about the soundtrack of the movie. It's the fourth movie of the year for Pritam after Race, Jannat and Kismat Konnection, all of them chartbusters. And no doubt now Singh is Kinng is going to add to the list of these hits.

Though, there is one song that does not belong to Pritam. And Singh is Kinng starts with that one song only - The Snoop Dogg Version of Singh is Kinng. This one is a Rhythm-Dhol-Bass track composed by Calvin Broadus with Surjeet Singh, Manjeet Ral and Kuljeet Ral. The song is supported by Akshay Kumar himself along with Snoop Dogg and RDB.

The song, already heard by many during the IIFA 2008 presentation, is a good number and is interestingly as Punjabi as English. The song is a good listening, especially in the last minute of the five minute length where there is much more Punjabi. Akshay Kumar's part in the song is interesting too.

The second song 'Jee Karda' sung by Labh Janjua and supported by Labh Janjua is a comparatively slower song which is mainly based on the beats in the background. The renditions of Suzi Q add to the so called X-factor of the song. Still, the song is a well composed punjabi song that is going to run well with the other songs of the movie.

The remix version of 'Jee Karda' doesn't have much new to it when compared to the original number and seems to be remixed for the sake of it as there is not much difference visible between the two tracks, not counting a few added effects at points.

And then comes the 'Bas ek King' sung by Neeraj Shridhar, Mika, Ashish Pandit and Hardkaur, which you must have seen on TV by now. The song is a made-for-high-volume song and is going to be a hit in its original and many remix versions which are sure to come out very soon. Though the song doesn't have very much left after the promos as you don't see Akshay Kumar while listening to the song on your music, it is clear that the song will be getting another boost after the release of the music as the full video will be lovable.

The song 'Bas Ek King' has been remixed into a Dhol style version too, named Tiger style remix, as obviously because Dhol is the main instrument in Punjabi music. The remix is made well and of course, a good dhol remix of a good punjabi song can work wonders.

Period.

Get ready for a whole new Daler Mehndi who starts shouting 'Aaj khushi ka din hai aaya..' before he starts singing for a Baaraat in his usual high-high-high style. Yes, 'Bhootni ke' is going to hit Indian marriages more than anything with its completely Made-in-India tag.

'Bhootni ke' has lyrics that resemble the soul of Punjab where love is expressed entirely in its own manner. 'Bhootni ke' is probably the best song of the movie and it seems Pritam agrees with me as we see three different versions of the song including one normal remix and another tiger style version in Mika Singh's voice.

The first remix of the song is as good as the original one, as it runs on a higher speed which will make it more compatible for dancing. The Mika version is the same song in a new packing, and it is difficult to say which one will be more popular. Still, one thing that can be said about the songs is that Daler's version has more Punjabi and authentic feel to it whereas Mika gives a more casual feel to the song and if asked, I would prefer the former.

The next number, Teri Ore by Rahat Fateh Ali Khan and Shreya Ghoshal, changes the mood for a song and Punjabi dance numbers leave some space for a romantic song, typical of Rahat for past some time, be it O re Piya of Aaja Nachle, Bol na Halke Halke of Jhoom Barabar Jhoom, or Falak Tak of Tashan. Typically again, Rahat is a singer who has never failed a song and this one is no exception. Shreya starts off the song with Rahat having an entry through his alaps after a minute and half.

A new experiment in the song is where Shreya and Rahat both sing lines together but Rahat's voice seems to be in backdrop with Shreya singing in front. A chorus that goes uncredited has also given its taste to the song, though I could not understand the language which is probably Rajasthani or some similar dialect.

And then there is a Lounge mix to this too!

Believe it or not (you will when you listen to it), Pritam has made almost an entire new song in the name of lounge mix as the flavor of the song seems to have changed. The song uses some traditional instruments too but they have been given limited access here so they don't affect the song in a bad way. And hence, this lounge version of Clinton and Eric Pillai also turns out to be a song worth listening.

But fact told, 'original is original' is what comes to my mind when I go back to the original version. A wonderful song, in an album that lies in a completely different territory than the song belongs to.

Back to Punjab, Singhs and Dance numbers. 'Talli Hua' is Neeraj Shridhar in a slightly newer territory and he has done his job well. 'Talli Hua' is a song that is Hindi-Punjabi whereas Neeraj is primarily known for English-Hindi numbers. The song is well supported by Labh Janjua as one doesn't easily understand where the two singers exchange voices.

The remix version that adds rap and Style Bhai adds to tempo of the song too and the version comes out well. Neeraj may once again have a hit to his name though it is not expected to catch up with the heights of Hare Krishna Hare Raam or even Kismat Konnection as those are the in the comfort zone of the Bombay Vikings leader.

To summarize, Singh is Kinng is yet another feather in Pritam's cap, especially as he gets into full-fledged Punjabi flavor in some places, which I expect would be required by the movie too.

As an album, Singh is Kinng is a Must Buy if you like Punjabi hip hop music. The only negative point of the music is that in some places it gets too Punjabi which may not be understood by entire Hindi audiences, especially those in southern parts of India. Else, the bottomline is that Singh is Kinng rocks.

Kismat Konnection: music review

If it was Life in a Metro in 2007, it is Kismat Konnection in 2008.

Yes, Pritam has once again come up with one of the best albums of the year. The difference is of the theme, and the similarity is that every song of the album rocks. And I think everyone is going to love this one too.


Neeraj Shridhar has rocked us with his Kismat Konnection ho jaye. Atif has entered our hearts with Bakhuda tumhi ho. And now, it's Mohit Chauhan with asking 'Is this love'.

Overall, the album has 5 songs in 11 avatars. And everyone is lovable. In every avatar.

First talk about Kismat Konnection ho jaaye. I don't think I need to review the song as it has been viewed enough already on TV. The remix of the song is good too and is going to be on the dance floors for a long long time. The song in its remix version shows the Hare Krishna Hare Rama touch more than in original.

Next comes Bakhuda tumhi ho. Bakhuda yehi hai. This is the song. Atif has sung a duet probably for the first time in a movie and the voice of Alka Yagnik comes as a little surprise towards the end of the song. The song has been well supported by Alka as she hasn't been given the high 'Atif-pitch' lines of the song.

The remix version starts well too, with Atif's Alaap and the female background voices rendering 'Tumhi Lamhaton mein' running simultaneously. The song picks height slowly and Atif again rocks.

Hardkaur and Akriti Kakkar are two names which have be in many chartbustersin recent past. The next song 'Move Your Body', sung by Shaan, Suhail, hardpour and Akriti is a dance member that comes in as a the third song of the album. Though there is not a lot that is new in the music, the song is almost sure to be a hit with the lines, 'Saade Naal Karle Party, Kudi tu Lagti hai naughty.'

The song is in three versions but only the remix is where you find some significant difference as the other too versions only differ in voices in a song where voices are suppressed under musical instruments. The remix too is fine with more of English rap lines in between the Hindi-Punjabi lyrics.

And then comes another duet from another band leader, Mohit Chauhan, 'Is this love'. The song starts with the ever-so-sweet voice of Shreya and Mohit comes in after a little music and gets into the rhythm of the beautiful love song in a superb way. Looks like the making of another hit from him after Tum se hi of Jab we met.

The remix version of the song is made well too, with Shreya coming in later this time, almost in the mid of song.

Soniye Ve Soniye is the last song of the album sung by Sonu Nigam and Sunidhi Chauhan. The mood of the song is clear by the lyrics of the song. The Punjabi-Hindi dance number is a try to cash the success of Nagada of Jab we Met and it seems the song will be a hit too.

Punjabi-Hindi songs are always good to remix and Soniye Ve Soniye has been no exception. The song is well remixed and the dhol touch is lessened to give a more groovy effect and the final result is good again.

In short, Kismat Konnection is something we were expecting for. It's a great album with a number of hip-hop-and-hit songs. Two songs are already hit and I expect the others to be hit as well. The only question that now exists is how will the movie be. But however it be, Kismat Konnection the album is worth a buy.

Thodi Life Thoda Magic Music Review

In one word, it's Old. And it's not gold at least. With its music, Thodi Life Thoda Magic seems to be a movie of '90s. Even with some good tracks in the movie, it seems like the movie is behind its time.

The movie, which has its name conflicts unresolved with Kunal Kohli's Thoda Pyaar Thoda Magic got it music launched by Amitabh Bachchan. The album has 5 tracks plus 2 remixes and a sad version, making the count go eight.


The first song, 'Thoda sa Gham Ho, Thodi Khushi Ho' starts with a music that may remind you of '60s or '70s, but once Sonu Nigam comes in with his typical soft touch, the song turns out to be a good soothing number.

The lyrics of the song are good too. And probably for the reason that the song is good, the composer Vinay Tiwari has tried to cash the song with both a remix and a sad version. The remixed version of the song starts off with some hope generating music and the final result is not very bad either. Even though the lyrics hardly match the pace of the song, the song is not bad for an age where every song reaches the dance floors with a remix version.

At almost 9 and a half minutes, the least that can be said about the sad version of the song is that it's too long. And before the song runs one fourth of its length, you realize it can only be good for background music, preferably in a saas-bahu serial. The great voice of Sonu doesn't help the song very much.

'Zindagi Zindagi Kaisi Hai Tu Paheli', the second song of the album runs for one minute and 18 seconds even with a dialog from Jackie Shroff. Though the song is not bad, it's hardly more than the length of a TV promo. Seems to be a late addition in the movie.

The third song of the album is again a slow number starting in the beautiful voice of Shreya Ghoshal. The song is very good from the point of 1990-95 era but the song will prove good in today's age is doubtful. The song has voices of Sonu Nigam and Vinay himself too.

'Tune Kahi Aur Maine Maani' of Kailash Kher is a typical sufi number and looks just like any Kailash Kher songs as long as instruments don't come into picture. But as they do, the song seems to be from Kachche Dhaage age, ten year old Sufi songs' era. In any case, Kailash Kher hasn't lost his touch to music and one can feel Kailash in the song.

The remix version of the song is comparatively an experimented with and the result is pretty good, at least comparatively.

The last original track of the album 'Maana Ye Aaj Humne' is again a song suitable for '90s. The song is sung by Shaan, Vijay and Swati. Well, the last two names are quite unknown to me too, probably not even winners of some show. Still, the singers have done a not-bad job.

Overall, Thodi Life Thoda Magic would have surely been a hit had it been released ten years ago. But for now, there are too many questions as the album looks stale. Still, some people may like it. Try it once if you still like to listen to '90s songs.

Music Review: Mission Istanbul

Mission Istanbul has a number of composers giving music for various tracks. The album starts with an average song, 'World hold on world hold on' in the voices of Kunal Ganjawalla, Gayatri Ganjawalla, and Raaj. The most striking feature of the song is the start it is given as it describes the setting of the movie to a good extent. After that there is hardly anything in the song except for the voice of Kunal who keeps the song lively.



The second number is 'Mission Mission', supposedly the title song. The song starts with a good note but it's probably the lack of experience of the composer Chirantan Bhatt due to which the song fails to make a great impact, at least in the first few hearings.

The third song is 'Jo Gumshuda' a treat from Anu Malik. No doubt when Anu gives music for a few songs in an album, it's good. Sometimes great. Here is an example of the same. Filled up with an interesting prelude and background voices according to settings of movie, it's a typical bollywood hit number in the voices of Shaan and Mahalaxmi.

As a bonus, the video of the song is good too, at least on one side of the screen. I case you haven't yet seen, go grab it at your favorite music channel.

The fourth song 'Nobody like you' is a brand Neeraj song. Neeraj Shridhar has been pretty good with his previous songs and here too he has left his mark on the song while singing with Anoushka. The song can be an instant hit once the video is there on music channels.

'Yaara Mere Dildara', the fifth song in the album, is something to look forward to. The song seems to be well set with the movie as the music has a touch of desert. The voice of Javed Ali suits the sufi song well. Sunidhi is good as always.

'Apun ke Sath' of Mika is a catchy semi-rap song and can be expected to run well as background with a fast paced movie.

The remix of 'Jo Gumshuda' is an album filler which is neither bad nor has something special to it. The remix of 'Nobody like you' is comparatively better mixed, which is likely from the past record of Neeraj Shridhar.

The last one, remix of 'World hold on', seems to be experimented a bit too much while remixed. But it all goes well with the voice of Kunal.

In short, it's average. Not bad, but not up to the expectations and hype of the movie. Still, as the music seems to have the same soul as that of the movie, the songs should catch up well with the movie, especially if the movie goes well.

So let's wait and see. Till then we can listen to the few good songs of the movie, especially Jo Gumshuda and Yaara Mere Dildara.

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Jaane Tu Ya Jaane Na: Music Review

A R Rehman's speciality lies in that he knows what he is making. While with other music composers generally songs 'work well' or 'fit' in situations, A R Rehman's music generally can tell you what the situation is.

Jaane Tu Ya Jaane Na is one such example where the movie's mood can be guessed from the light music of the album.


The opening song of the album is 'Kabhi Kabhi Aditi'. Don't go on the title of the song, as the song is a pretty soothing number and Rehman's touch is clear from this very first song. The song is a feat in the new voice of Rashid Ali, as the lyrics of the song are fine too.

Rehman and 'Saala' make a good combination. At least that seems to be the thinking of uncle producer Aamir Khan when you listen to second song 'Pappu Can't Dance'. And though I haven't got the importance of Saala in the song like it was in Roobaroo, I can't deny the goodness of song. Expect it to be an instant hit. And the dirigidi-da-da-da-da-daa sounds in the background make sure you don't forget it's Rehman. Interestingly, the song has a few lines dedicated to uncle Aamir's debut Papa Kehte hain too.

The third number of the album, 'Jaane Tu Mera Kya Hai' seems to be a good song that may last long, though there is a little monotonicity in the song. The song is sung well by Runa Rizvi and Rehman's music is good. The song doesn't have much length but has a male version later. Lyrics of the song are also worth listening to.

The fourth one, a very light 'Nazrein Milana' is another good number. The song has a number of partying voices from six singers that include Naresh Iyer too, giving a good listening experience. Though there is not much to look forward to in lyrics of the song, music is quite good as Rehman experiments with rock sounds in a light party song.

Only one sentence would be enough for the next song. The song, 'tu bole main bolun' is sung by A R Rehman.

Well, the song is not like Khwaja Mere Khwaja or Luka Chhupi, but there are a lot many new things in the song to listen to. I can't exactly place which school the song comes from but it has a slight clubbish feeling attached to it, which comes easy with the saxophone's sound. And though the song is not a heavyweight (like examples I gave) but it's not a very light number either. It short, listen to it to know it completely.

The sixth song of the album 'Kahin to hogi wo' is a lovely, romantic song sung well by Rashid Ali and Vasundhara Das. Especially Rashid is wonderful. The song seems to have the ingredients necessary to make a song last long and I expect it will be heard for months. In the end, the song has the chorus effect which was generally used in older songs and has been tried by composers at various times.

The seventh song on the album is a second version of 'Jaane tu Mera Kya hai', in a male voice this time, sung by Sukhwinder Singh. The mighty voice of Sukhwinder suits the almost-only-sad-song of the album well and the song goes a bit better than the female version, even though both the versions seem to have almost completely different tastes after listening to the two versions alternately.

The eigth and final song of the movie is a remix like in most other albums. And unfortunately, like most other remixes of today, the song doesn't have much stuff in it and has been experimented with a little too much it seems.

Anyways, with almost all the songs of the album in at least above average category, one remix doesn't make a difference. The album is overall a great compilation and A R Rehman deserves the credit for that. Listen to it. Hope you'll enjoy a lot.

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De Taali: Music Review

De Taali is the next movie for Vishal Shekhar with above average music from the duo. The album has 8 songs out of which 6 are original and two are remixes.


'Everybody put your hands together', the starter of the new Vishal Shekhar album is a groove style song whose music style can be guessed to some extent by its lyrics and Anushka's voice brings some flavor of Golmaal. A beaty dance number which doesn't have much new to it.

The second song, De taali is again in a similar kind of mood. This song too has voices of Shaan and Sunidhi like the first but not of Anushka. Though Shaan seems a bit different in both the songs.

The third one, Aaj main boond hoon, is a pretty song, well sung by Shreya Ghoshal in her typical beautiful voice. It's a slow number with a little light music in the background. Interestingly, Shekhar jumps in to sing a few lines, which brings in more of curiosity than beauty, though Shekhar has sung his lines good.

Fourth song, Hone Lagi is probably a new type for Anushka Manchanda who has mostly sung fast track songs in the movies yet. Hone Lagi is another light romantic song sung beautifully. Shekhar has supported this song too with a few lines in the mid of the song.

Fifth songs brings in Saregamapa runner up Raja Hasan with a song suiting his voice. The song, Maari Teetri has a folk touch to it with added beats and Raja can have a popular song to his credit as the song has good potential of running on dance floors.

The sixth song, Tooti Phooti, sung by Shaan, KK and Sunidhi, is not going to be an instant hit but we can expect to be liked a lot after a few listening as the song has a good-slow-song feel to it.

Seventh song is a remix of Anusha's Hone Lagi which seems to be just remixed for the sake of it and hardly has any stuff in it. The song has fast beats in the background and the song can only be liked in loud volume.

Last song of the album, De taali remix is better mixed but doesn't have anything special.

Still, the album has a few good songs like aaj main boond hoon and even other songs are above average making the album overall an above average album and worth listening. Though, with Yash Raj's Thoda Pyaar Thoda Magic and Rehman composed Jaane tu ya jaane na out at the same time, the album may have to struggle for space.

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Thoda Pyaar Thoda Magic: Music Review


kabhi socha hai kya..
kabhi socha hai kya, barish kyun bhaaye
kyun geet bewajah, hoton pe aaye
kyun achchi lage, talwon mein lehren
kyun bhatke kadam, ek pal na thehren...

Shankar Mahadevan is getting to sing the best lyrics somehow. And it's all coming out of Prasoon Joshi's pen for quite some time. After Aamir Khan's Taare Zameen Par, Kunal kohli's Saif-Rani starrer Thoda Pyaar Thoda magic seems to be yet another treat from the composer trio Shankar-Ehsaan-Loy and the first song 'Pyaar ke liye' (starting lyrics above) seems to be a great start for the album.

The second song, Nihaal ho gayi has already started showing on the music channels and is getting the great response it deserved. And though the promo shows just two lines, rest of the song has a few good lines. The music has a feel of Jhoom barabar Jhoom title song.

The third song, bulbula, starts in an altogether new manner as there is a chorus sort of cursing in a friendly manner after which Sunidhi renders some lyrics in an I'm-the-best mood. At 3 minutes and 20 seconds, the song is pretty small and not bad.

At number four comes something interesting. First thing is the title, 'Lazy Lamhe' and the second is the voice of Anusha Mani, listening to which one can wonder where she was until now. The song is a slow number with a slight lounge feeling attached to it.

Track five, the last original song in the album, 'Beetey Kal Se' comes in two female voices, Shreya Goshal and Sneha Suresh. The song doesn't have much at the music front but the lyrics are quite positive and are likeable. In fact, the dialogs in the mid-song raise questions of social importance too.

Number six is a remix of 'Nihaal Ho Gayi' by DJ Aqeel. The remix is good as the song is already a good Punjabi-style dance number.

The final track is a well deserved remix of Lazy Lamhe. I mean, a remix that looks like a real remix, like those in Sanjay Gupta movies. The singer, composer and song prove good yet again in the hands of DJ Aqeel and thus the album ends with a good note and a mood to play it again.

Final Verdict: A must buy if you like typical Yash Raj's music which is generally the case with most.

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Dhoom Dhadakka music review

Roop Kumar Rathod has never disappointed with his music, and this time once again he passes the test, although with a different sort of music this time and not that good if compared to Zeher.

Though, one important thing with Roop's music is that he doesn't apply his own voice to a song if there's a better option available. He's content directing music, something that is scarce in today's music composers.

The album 'Dhoom Dhadakka' has a small 3 songs + 2 remixes soundtrack. But the songs are worth being there in the album and most of them give their flavor in the first listening itself, especially the title and ara ra ra ra.

The title song Dhoom Dhadakka which claims not to be a remix, is a complete hip-hop with as many beats in the background as in any good remix. The voices of Daler Mehndi and Jaspinder Narula give the song a complete Punjabi flavor. The song is quite good and interesting and also the best song of the album.

The remix version of the song which appears later is a small number, equally hip with a few extra rap voices in such a way that I love it as much as I loved the original version.

The second song, Hari Om sung by Sunidhi is a made-to-sell song and the voice of Sunidhi reminds of Crazy Kiya re. Still, the song being pretty good, I hope the song can make a mark if the video of the song is good.

The third song, Ara ra ra ra is a Holi song, and gets into its own flavor with the very first words of Udit Narayan, getting its speed with the female voice. The song doesn't have any new type of music and reminds of Khaike Paan Banaras Wala but the song is still no bad. Voices of Anupam Kher and Satish Shah give a good feeling too.

The Remix of Hari Om doesn't seem to be having anything special to it, and the album ends with not actually as much as could be expected from Roop Kumar Rathod, but doesn't fail to give you at least two good songs as the title and ara ra ra ra.

Try the music yourself and see how much you get into the flavor yourself. It's worth listening for sure if you appreciate fast, kinda old fast music.

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Hastey Hastey music review

Seems like Anu Malik is in full mood to compensate for his long absence. After Anamika and Woodstock Villa, it's Hastey Hastey that is again having the name of Anu Malik as its composer within a matter of weeks. Though the movie doesn't boast of many big names, at least it adds to the works of Mr. Malik.

The album has six songs, plus one sad version, and four more versions of two songs, making it a total eleven songs.

Songs are sung by Sunidhi Chauhan, Kunal Ganjawalla, Shaan, Zubin Garg, and Mr. Producer, Shiv Ram Kumar too. Sunidhi has given voice to a hopping 7 tracks out of 11 and is the only female singer in the album, something that has become a rare sight nowadays.

Sameer's lyrics are Sameer's lyrics and nothing more than that. So don't expect any quality lyrics, it's just time pass material in that department.

The album starts with Sunidhi Chauhan's song 'Hum Hain Tum Ho', which reminds of the old music of Anu Malik and the song gives a 5-10 year old feel, something like those of Ishq-Vishk with a few added beats. But that doesn't mean you may not like it. Even though the song feels a bit old, it's just fine.

The second song, 'New Age Mantra', sung by Sunidhi again with Kunal, is quite different, and I feel that the song has some potential to move high in popularity charts and can be a hit.

Number three, the title song happy version is something to be happy about as the music is beautiful, but the producer-cum-singer Mr. Shiv Ram Kumar doesn't seem to realize that if the song were given voice of Shaan, Sonu Nigam or some good singer like that, it might have been a much better song. Sunidhi is as good as in any other song and overall, the song is not bad.

There is a sad version of the song too in which the producer singer is comparatively much better and though he's not much in tune, he tries to show a glimpse of Kishore Kumar in his voice, and somewhere in the process tries too hard for that, almost losing the song completely.

Next song 'Al Madad Chere Khuda Mera Yaar' is a typical Zubin Garg song and goes on the same lines as 'Ya Ali' or 'Jeena Kya Tere Bina'. (by the way, if u haven't heard, that's a good number too, from Kya Love Story Hai)

Next, 'Bheegi Bheegi Teri Zulfen' is another well sung by Kunal Ganjawalla, like always. The high pitch he-he-ho-ho start tells you that you can expect a typical Kunal song here too. Though this one does not reminds of some specific song at least.

The song 'rock the world' by Shaan is fine too. And even though there are hardly words other than 'it's our world' and 'we will rock you, we will shock you' found in the song, the song can pull itself off to high in music charts.

Anyways, it seems that Anu Malik has researched the market well in past some time and now knows what sells (read Pritam). Many of the songs remind of many popular songs of recent past.

To summarize, the album is yet another okay-type album with a few good songs which u can look forward to. Especially 'Al madad' and 'bheegi bheegi' are the best of the album which most of the people will like.

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Music Review: Woodstock Villa

Well, I started writing this for Sikandar. I mean, mainly because it's the debut movie of Sikandar Kher, son of Anupam and Kirron Kher, yet another star-son to enter the Indian film industry, almost at the same time with Mimoh, Mithun Da's son. But the songs turned out to be quite good, at least more than I had expected. So here is the music review of Woodstock Villa, the much awaited debut of Sikandar Kher.

Woodstock Villa is almost a typical Anu Malik album with songs just fine, nothing much exceptional, but not disappointing either.

The album contains 9 songs including 2 remixes.

First song of the album is 'Dhokha' sung by Anchal Dutta Bhatia. The song a slight cabaret feel associated to it, even with the harsh voice of Anchal. An average song whose popularity will depend a lot on advertisement.

Next there is 'Sawan mein lag gayi aag' sung by Mika Singh. The popularity of the song is not to be doubted though there have been some changes in the original one. There is also a club mix of the song at almost the end of the album which is not bad but not likely to replace the original.

Third comes 'Kyun' which seems promising, just like from the Pritam's school. Sung by 'The Aryans', The song has something that we have been liking for past one year or so, again and again, and I don't think this one is going to be an exception.

The fourth song of the album is 'Yeh Pyaar Hai' sung by Anchal Dutta Bhatia with Shaan. The song has a few background voices in the start that give the song a beautiful feel. Shaan has sung the song beautifully and so has Anchal Dutta Bhatia. The song is a light romantic, feel good number which is likely to be liked by people.

Then comes 'Koi Chala Ja Raha hai'. It's yet another song well sung from Rahat Fateh Ali Khan. The song starts with a slow rendition in Rahat's own voice which is followed by a fine, slow number.

Sixth on the list is 'Raakh ho ja tu', by Shibani Kashyap, of course giving her special guitar-voice touch to the song. The song moves slowly with beats matching the slow pace in the background.

The last original number of the song, or say un-remixed number, as we can never be sure of original with Anu Malik, is 'Dhokha Dega' again by Shibani Kahyap. The song seems to be a background score in itself with an espionage feel that matches the movie's posters and promos.

Finally there is the club mix of 'Sawan mein lag gayi aag' followed by a remix of the first song 'Dhokha' which has nothing much to it except for a increased speed while compared to the its original. But if promoted well, the song can be popular.

Overall, the album has three good songs, Kyun, yeh pyaar hai and Koi chala ja raha hai. So with the rest of the songs being average, the album is can be put in a 'slightly better than average' category.

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Pranali

A movie out of nowhere. I just picked up the songs cause it was Kailash Kher in a new outfit. As a music composer for a movie, with a duo called Paresh and Naresh. And finally, it paid, at least something.

The movie has four songs including a 'Tandav' from Pt Birju Maharaj.

Of the other, the first song 'Sach na batana' is a good listening experience. We get a whole new Kailash Kher when the song starts as such a hip-hop music could hardly be expected from him. But then comes his high-pitched voice, a lot like Subhanallah of Chand Sifarish, and then the song unfolds itself with beautiful lyrics and a soothingly falling music.

The song has an Udit Narayan version which again is pretty good. But interestingly, surprisingly or shockingly, it has a complete hip-hop remix version too, which I suppose, cannot come out of Kailash Kher and must be the work of the remaining two guys.

The second song, Bikhar gayi, is another thing to be discussed. It's a female song and has the lyrics like 'main janani hoon, main devi hoon'. But the song in the female voice almost disappoints, at least when compared to the Kailash Kher's version.

The third song 'Sakhiyaan' seems to be having a touch of 'Dola re dola' from Devdas, especially due to more than one female voices and similar type of instruments.

And this one is not sung by Kailash Kher. :)

The Tandav of Pt Birju Maharaj must be good if you are a student of classical music, which I am not, so couldn't review it.

In short, a somehow surprising album, containing a truly surprising song. You won't feel bad downloading it for free, though it's not worth buying really as other songs are not that good.

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Tashan mein

Tashan. One of the expected hits of the year. Even with a debutant director who is not a hero at least even though he is pretty famous among behind the screen people.

I was really excited about the movie and wanted to get the songs as early as possible. Finally in the end of March I got the songs and after two days I was completely Tashan mein. Hats off to Vishal Shekhar again.

The title song of the movie, Tashan mein, was a great experience. Vishal and Salim singing semi rock and semi sufi were simply superb. I could listen to the song in a repeat mode for hours. And I did.

The next number that caught my attention was 'Dil Dance Maare'. The made-to-be-hit lyrics are going to play a big part with the completely danceable music of the song. A must listen.

'Dil Haara' is a good and a kinda untraditional number in the voice of Sukhwinder. But the song is surely not bad.

'Chhaliya', again is a good song rendered by Sunidhi and has been given kinda effect by voices in the start. I expect it to be a hit with Kareena Kapoor's dance.

Then comes 'Falak Tak', the Udit Narayan style song sung by Udit himself. :)

Falak Tak is a typical romantic type with a light feeling associated with it. Kinda Jatin-Lalit way.

The album also has the actors' voices called 'Pooja Ka Tashan', 'Jimmy Ka Tashan', 'Bachchan Pande Ka Tashan' and 'Bhaiyyaji Ka Tashan' which maybe popular based on movie's success. But anyhow, the album is pretty good with Falak Tak, Dil Dance Maare. End of the day, you are bound to be Tashan mein.

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